wearing Andrea Crews; more from Andrea
Thursday, February 09, 2012
Wednesday, January 18, 2012
Soundmachines
A record player that doesn't play sounds but visual patterns instead - Soundmachines by The Product.
"Three units, which are resembling standard record players, translate concentric visual patterns into control signals for further processing in any music software. The rotation of the discs, each holding three tracks, can be synced to a sequencer."
A record player that doesn't play sounds but visual patterns instead - Soundmachines by The Product.
"Three units, which are resembling standard record players, translate concentric visual patterns into control signals for further processing in any music software. The rotation of the discs, each holding three tracks, can be synced to a sequencer."
Tuesday, January 03, 2012
Enrique Gomez De Molina
"The impossibility of my sculpture brings me both joy and sadness at the same time. The joy comes from seeing and experiencing the Fantasy of the work but that is coupled with the sadness of the fact that we are destroying all of these beautiful things."
more info
"The impossibility of my sculpture brings me both joy and sadness at the same time. The joy comes from seeing and experiencing the Fantasy of the work but that is coupled with the sadness of the fact that we are destroying all of these beautiful things."
more info
Friday, December 30, 2011
End of Year Psychedelica
2012 review of a notable exhibition: The New Psychedelica at MU Eindhoven, curated by Francesca Gavin of Dazed&Confused
2012 review of a notable exhibition: The New Psychedelica at MU Eindhoven, curated by Francesca Gavin of Dazed&Confused
Wednesday, December 21, 2011
Kim Jong-Il Dropping the Bass
Kim Jong-II dropping the bass with Daft Punk, Moby, Tiesto and David Guetta on tumblr!
Kim Jong-II dropping the bass with Daft Punk, Moby, Tiesto and David Guetta on tumblr!
Tuesday, December 20, 2011
Dan Cermak
"I've always wanted to do this"
The Swiss photographer explains why his approach to nude photography is different to what we're normally subjected to; interview at Dazed Digital
"I've always wanted to do this"
The Swiss photographer explains why his approach to nude photography is different to what we're normally subjected to; interview at Dazed Digital
Sunday, December 18, 2011
Lulu Frost + Kim Asendorf
L_L_ image series (2011) by Berlin-based artist Kim Asendorf and jewellery designer Lulu Frost
L_L_ image series (2011) by Berlin-based artist Kim Asendorf and jewellery designer Lulu Frost
Friday, December 09, 2011
Friday, November 25, 2011
Wednesday, November 23, 2011
Google Street View - Cinemascapes
curated by Aaron Hobson:
In search of enchanted and remote lands typically only reserved for the eyes of it's inhabitants, but now are captured on camera by the automated and aesthetically-neutered street view cars that linger.
Void of the main character (self-portrait) and an internal view, these images represent the closing chapter of 4 years of cinemascapes with an external view of the world.
curated by Aaron Hobson:
In search of enchanted and remote lands typically only reserved for the eyes of it's inhabitants, but now are captured on camera by the automated and aesthetically-neutered street view cars that linger.
Void of the main character (self-portrait) and an internal view, these images represent the closing chapter of 4 years of cinemascapes with an external view of the world.
Tuesday, November 22, 2011
VJ Culture: Channel#1
audio-visual event (and superb graphics) by Tokyo Max User Group; more videos over here
audio-visual event (and superb graphics) by Tokyo Max User Group; more videos over here
Tuesday, November 15, 2011
Thursday, November 03, 2011
Remake Project by BOOOOOOOM!
The Girl With The Pearl Earring - remake of Johannes Vermeer's iconic painting by Gayle Walsworth
vs.
The Girl With The Pearl Earring by Johannes Vermeer
The Girl With The Pearl Earring - remake of Johannes Vermeer's iconic painting by Gayle Walsworth
vs.
The Girl With The Pearl Earring by Johannes Vermeer
Thursday, September 29, 2011
Wednesday, September 21, 2011
Friday, September 16, 2011
Friday, August 12, 2011
Tuesday, July 05, 2011
Social Housing–Housing the Social
Social Housing–Housing the Social is a two-day symposium in Amsterdam that emphasizes the relationship between the waning political and practical imperative of social housing and the broader conceptual or philosophical idea of housing the social. Given the increasing global conditions of unequal wealth distribution, and the specific urgency brought about by cuts in social and cultural funding in the Netherlands, can forms of cultural production be reclaimed as tools with which to design and defend social space, or are the agents and engineers of such projects merely tools in the further decoration of reduced welfare rights? What do we want cities to accommodate today? What is the legacy of the utopian ideals of the '60s and what alternative plans for living together in cities are being incubated now? How do we deal with the very real problems of social division brought about by poverty, migration, addiction, lack of representation? What roles do artists, designers, architects play in this process?
Contemporary capitalism in the West has promoted its growth on the ideal of house-ownership (with recent catastrophic financial effects) resulting in the reconceptualisation of public and private space. For this reason, social housing—the provision of homes for those on no or low income—is an idea destabilised through the shrinking of Welfare State models of social provision in Europe and the USA. In the Netherlands, a strong tradition of social housing is changing in light of new forms of privatisation and public private partnership; in other global locations housing is a political tool used to both maintain and produce new forms of power, new tools of both revolution and corruption. Populations are destabilized at a transnational scale; forced to move in search of a cheap, safe, affordable and secure ways of living. In this context does housing also emerge as a new division between global frameworks of provision?
Social Housing–Housing the Social is a two-day symposium in Amsterdam that emphasizes the relationship between the waning political and practical imperative of social housing and the broader conceptual or philosophical idea of housing the social. Given the increasing global conditions of unequal wealth distribution, and the specific urgency brought about by cuts in social and cultural funding in the Netherlands, can forms of cultural production be reclaimed as tools with which to design and defend social space, or are the agents and engineers of such projects merely tools in the further decoration of reduced welfare rights? What do we want cities to accommodate today? What is the legacy of the utopian ideals of the '60s and what alternative plans for living together in cities are being incubated now? How do we deal with the very real problems of social division brought about by poverty, migration, addiction, lack of representation? What roles do artists, designers, architects play in this process?
Contemporary capitalism in the West has promoted its growth on the ideal of house-ownership (with recent catastrophic financial effects) resulting in the reconceptualisation of public and private space. For this reason, social housing—the provision of homes for those on no or low income—is an idea destabilised through the shrinking of Welfare State models of social provision in Europe and the USA. In the Netherlands, a strong tradition of social housing is changing in light of new forms of privatisation and public private partnership; in other global locations housing is a political tool used to both maintain and produce new forms of power, new tools of both revolution and corruption. Populations are destabilized at a transnational scale; forced to move in search of a cheap, safe, affordable and secure ways of living. In this context does housing also emerge as a new division between global frameworks of provision?
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