LA-based video production; rad.
Sunday, August 08, 2010
Friday, August 06, 2010
Thursday, August 05, 2010
Das Monsterkabinett
"A run-down amusement park comes to life. Outlandish mechanical creatures dance and sing from within their biotopes, lyricizing their inner journeys. Guided tours for up to 8 people are available Fridays and Saturdays from 2-10 pm."
Monsterkabinett, Berlin-Mitte
"A run-down amusement park comes to life. Outlandish mechanical creatures dance and sing from within their biotopes, lyricizing their inner journeys. Guided tours for up to 8 people are available Fridays and Saturdays from 2-10 pm."
Monsterkabinett, Berlin-Mitte
Monday, June 14, 2010
BYS DNT CRY
A beautiful 160 page study of Berlin shot by Japanese Artist Akiyoshi Takada a.k.a. MadBunny,
available at APART gallery, London
A beautiful 160 page study of Berlin shot by Japanese Artist Akiyoshi Takada a.k.a. MadBunny,
available at APART gallery, London
Wednesday, May 12, 2010
Tuesday, April 13, 2010
Andrew Moore
Making History Photographs 1980 - 2010
until June 7th, 2010, at Galerie Alex Daniels - Reflex Amsterdam
Thursday, April 01, 2010
Noma Bar
caricature and pictograms at KK Outlet, London.
Review and more images over at Creative Review.
caricature and pictograms at KK Outlet, London.
Review and more images over at Creative Review.
Sunday, March 21, 2010
Sruli Recht
Masked
In Flight
An Upcoming Non-Product
For Sleeping and BreathingA set of four travel masks from folded laser cut parchment.
Photos by Marino Thorlacius for Vision Magazine
Masked
In Flight
An Upcoming Non-Product
For Sleeping and BreathingA set of four travel masks from folded laser cut parchment.
Photos by Marino Thorlacius for Vision Magazine
Friday, March 12, 2010
Han Lei
The Light of Day
at m97 Gallery, Shanghai: March 13th until May 5th, 2010.
The Light of Day
at m97 Gallery, Shanghai: March 13th until May 5th, 2010.
HAN LEI: "Three Standing Nude Women" (2007) C-Print. 120cm x 96cm, Edition of 10; 150cm x 126cm, Edition of 6.
© HAN LEI
Thursday, March 11, 2010
Galerie Patricia Dorfmann
at the UTOPIA - DYSTOPIA section during ARTPARIS+GUESTS, Grand Palais, Paris, from March 18 till 22, 2010.
Raphaël Boccanfuso - Ensemble, déconstruisons l'Avenir - 2009 - Dimensions variables
at the UTOPIA - DYSTOPIA section during ARTPARIS+GUESTS, Grand Palais, Paris, from March 18 till 22, 2010.
Raphaël Boccanfuso - Ensemble, déconstruisons l'Avenir - 2009 - Dimensions variables
Thursday, March 04, 2010
Magnetic Norths
From afar, the shifting phenomenon of magnetic north provides guidance not unlike Polaris, but as one draws close to the shadowy realm of the Arctic, navigation and communication begin to go awry, forcing the nomad to experiment within a no-man’s land. Military and religious colonization, hazardous testing, and a disregard for a fragile ecosystem mark the past of the Arctic, but so do inventive and sensitive histories. Within the White Cube of the gallery — here posited as a substitute for the minimalist landscape of the Arctic Sublime — the exhibition takes as its starting point Mercator’s imaginative speculation of dual magnetic north poles from 1595, and ends with recent geomatic renderings by an indigenous government. Between these visual landmarks, a constellation of documents, photographs, sculptures, radio broadcasts, film screenings and installations weave together the overlapping territories of utilitarian artifacts and conceptual artwork. The survey of work starts with techno/military enterprises such as those of Thomas Edison, R. Buckminster Fuller, Canada’s NFB, and the US Air Force; revisits conceptual art from the 1960s and '70s by Glenn Gould, N.E. Thing Co., Lawrence Weiner, Michael Snow, Joyce Wieland and others; and includes a selection of contemporary artists whose work combines both axes. Far from being an empty terra incognita, the Arctic, and like it, Magnetic Norths, functions both as a historical repository and as a fantasy projection space that generates electro-magnetic distortions, pay dirt, pissing contests, sci-fi warfare, psychedelic skies, conspiracy theories, critical confections, shamanistic loss and shattered cartographies.
Until April 17th, 2010, at Leonard & Bina Ellen Art Gallery, Montreal
From afar, the shifting phenomenon of magnetic north provides guidance not unlike Polaris, but as one draws close to the shadowy realm of the Arctic, navigation and communication begin to go awry, forcing the nomad to experiment within a no-man’s land. Military and religious colonization, hazardous testing, and a disregard for a fragile ecosystem mark the past of the Arctic, but so do inventive and sensitive histories. Within the White Cube of the gallery — here posited as a substitute for the minimalist landscape of the Arctic Sublime — the exhibition takes as its starting point Mercator’s imaginative speculation of dual magnetic north poles from 1595, and ends with recent geomatic renderings by an indigenous government. Between these visual landmarks, a constellation of documents, photographs, sculptures, radio broadcasts, film screenings and installations weave together the overlapping territories of utilitarian artifacts and conceptual artwork. The survey of work starts with techno/military enterprises such as those of Thomas Edison, R. Buckminster Fuller, Canada’s NFB, and the US Air Force; revisits conceptual art from the 1960s and '70s by Glenn Gould, N.E. Thing Co., Lawrence Weiner, Michael Snow, Joyce Wieland and others; and includes a selection of contemporary artists whose work combines both axes. Far from being an empty terra incognita, the Arctic, and like it, Magnetic Norths, functions both as a historical repository and as a fantasy projection space that generates electro-magnetic distortions, pay dirt, pissing contests, sci-fi warfare, psychedelic skies, conspiracy theories, critical confections, shamanistic loss and shattered cartographies.
Until April 17th, 2010, at Leonard & Bina Ellen Art Gallery, Montreal
Tuesday, March 02, 2010
Geotagging Greeland's icy landscapes
Olaf Otto Becker has been traveling along Greenand's West Coast with a boat to document the ever changing ice landscape, geotagging each image.
At f5,6 gallery, Munich. Running till April 24th, 2010
River 1, 07/2007, Position 12
69° 40'58" N, 49° 52'28" W
Altit, 7
River 1, 07/2007, Position 13
69° 40`53``N, 49° 54`06``W, Altitude 715 m, 7
River 1, 07/2007, Position 10
69° 41`13``N, 49° 51`18``W, Altitude 750 m, 7
Olaf Otto Becker has been traveling along Greenand's West Coast with a boat to document the ever changing ice landscape, geotagging each image.
At f5,6 gallery, Munich. Running till April 24th, 2010
River 1, 07/2007, Position 12
69° 40'58" N, 49° 52'28" W
Altit, 7
69° 40`53``N, 49° 54`06``W, Altitude 715 m, 7
River 1, 07/2007, Position 10
69° 41`13``N, 49° 51`18``W, Altitude 750 m, 7
Friday, February 12, 2010
Florian Hecker
sound pieces at Chisenhale Gallery, London, until March 28th, 2010.
The investigation of sound in relation to the body and space, employing idiosyncratic psychoacoustic propositions in order to examine and disrupt spatial perception.
sound pieces at Chisenhale Gallery, London, until March 28th, 2010.
The investigation of sound in relation to the body and space, employing idiosyncratic psychoacoustic propositions in order to examine and disrupt spatial perception.
Sunday, February 07, 2010
Wednesday, February 03, 2010
Thursday, January 28, 2010
Leora Lutz
Landscape with Flight Paths, 2009. Cotton embroidery floss, vintage atlas lists on paper, 18 x 22 inches
winner of the 2nd prize at Art Interview Online
Landscape with Flight Paths, 2009. Cotton embroidery floss, vintage atlas lists on paper, 18 x 22 inches
winner of the 2nd prize at Art Interview Online
Tuesday, January 26, 2010
Sunday, January 24, 2010
Vibskov Emenius
Henrik Vibskov & Andreas Emenius' The Fringe Projects and Circular Series during Out of Order festival, Bremen
Henrik Vibskov & Andreas Emenius' The Fringe Projects and Circular Series during Out of Order festival, Bremen
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