exhibition at Character Walk Paris till December 10th, 2011
Friday, December 09, 2011
Wednesday, November 23, 2011
Google Street View - Cinemascapes
curated by Aaron Hobson:
In search of enchanted and remote lands typically only reserved for the eyes of it's inhabitants, but now are captured on camera by the automated and aesthetically-neutered street view cars that linger.
Void of the main character (self-portrait) and an internal view, these images represent the closing chapter of 4 years of cinemascapes with an external view of the world.
curated by Aaron Hobson:
In search of enchanted and remote lands typically only reserved for the eyes of it's inhabitants, but now are captured on camera by the automated and aesthetically-neutered street view cars that linger.
Void of the main character (self-portrait) and an internal view, these images represent the closing chapter of 4 years of cinemascapes with an external view of the world.
Tuesday, November 22, 2011
VJ Culture: Channel#1
audio-visual event (and superb graphics) by Tokyo Max User Group; more videos over here
audio-visual event (and superb graphics) by Tokyo Max User Group; more videos over here
Tuesday, November 15, 2011
Thursday, November 03, 2011
Remake Project by BOOOOOOOM!
The Girl With The Pearl Earring - remake of Johannes Vermeer's iconic painting by Gayle Walsworth
vs.
The Girl With The Pearl Earring by Johannes Vermeer
The Girl With The Pearl Earring - remake of Johannes Vermeer's iconic painting by Gayle Walsworth
vs.
The Girl With The Pearl Earring by Johannes Vermeer
Friday, August 12, 2011
Tuesday, July 05, 2011
Social Housing–Housing the Social
Social Housing–Housing the Social is a two-day symposium in Amsterdam that emphasizes the relationship between the waning political and practical imperative of social housing and the broader conceptual or philosophical idea of housing the social. Given the increasing global conditions of unequal wealth distribution, and the specific urgency brought about by cuts in social and cultural funding in the Netherlands, can forms of cultural production be reclaimed as tools with which to design and defend social space, or are the agents and engineers of such projects merely tools in the further decoration of reduced welfare rights? What do we want cities to accommodate today? What is the legacy of the utopian ideals of the '60s and what alternative plans for living together in cities are being incubated now? How do we deal with the very real problems of social division brought about by poverty, migration, addiction, lack of representation? What roles do artists, designers, architects play in this process?
Contemporary capitalism in the West has promoted its growth on the ideal of house-ownership (with recent catastrophic financial effects) resulting in the reconceptualisation of public and private space. For this reason, social housing—the provision of homes for those on no or low income—is an idea destabilised through the shrinking of Welfare State models of social provision in Europe and the USA. In the Netherlands, a strong tradition of social housing is changing in light of new forms of privatisation and public private partnership; in other global locations housing is a political tool used to both maintain and produce new forms of power, new tools of both revolution and corruption. Populations are destabilized at a transnational scale; forced to move in search of a cheap, safe, affordable and secure ways of living. In this context does housing also emerge as a new division between global frameworks of provision?
Social Housing–Housing the Social is a two-day symposium in Amsterdam that emphasizes the relationship between the waning political and practical imperative of social housing and the broader conceptual or philosophical idea of housing the social. Given the increasing global conditions of unequal wealth distribution, and the specific urgency brought about by cuts in social and cultural funding in the Netherlands, can forms of cultural production be reclaimed as tools with which to design and defend social space, or are the agents and engineers of such projects merely tools in the further decoration of reduced welfare rights? What do we want cities to accommodate today? What is the legacy of the utopian ideals of the '60s and what alternative plans for living together in cities are being incubated now? How do we deal with the very real problems of social division brought about by poverty, migration, addiction, lack of representation? What roles do artists, designers, architects play in this process?
Contemporary capitalism in the West has promoted its growth on the ideal of house-ownership (with recent catastrophic financial effects) resulting in the reconceptualisation of public and private space. For this reason, social housing—the provision of homes for those on no or low income—is an idea destabilised through the shrinking of Welfare State models of social provision in Europe and the USA. In the Netherlands, a strong tradition of social housing is changing in light of new forms of privatisation and public private partnership; in other global locations housing is a political tool used to both maintain and produce new forms of power, new tools of both revolution and corruption. Populations are destabilized at a transnational scale; forced to move in search of a cheap, safe, affordable and secure ways of living. In this context does housing also emerge as a new division between global frameworks of provision?
Friday, July 01, 2011
Monday, June 27, 2011
BIG Vortex
© Juerg Alean
REALITIES:UNITED TO SEND SMOKE RINGS OVER COPENHAGEN - AS A REMINDER OF CO2 EMISSION
BIG architects featuring art studio realities:united wins the international competition to design a new Waste-to-Energy Plant for Copenhagen that doubles as a ski slope for Copenhagen’s citizens and a long distance symbol of the city’s CO2 emission.
© Juerg Alean
Tuesday, May 24, 2011
Chun Kwang Young
Aggregation 2007-2011, exhibition at Gallery Hyundai, Seoul, from May 25 - June 30.
Aggregation 2007-2011, exhibition at Gallery Hyundai, Seoul, from May 25 - June 30.
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